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In this work the author presented ways and purposes of manipulation through photography, which have been present since the beginning of the photography. She explained the way of reading the newspaper photography, defined by the meanings and ideology formed by our expectations. She analyzed the way of presenting the absent in the photography; effect of selecting photographing details, as well as the ways, goals and effects of the photomontage.
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Povodom izložbe Feđe Klarića Splitske 70-e u Galeriji umjetnina u Splitu i Fotogaleriji Lang u Samoboru
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